The IM8 series designed for small to medium sized venues and productions, which does seem to limit its uses. The IM8-32 has great quality sound that Yamaha is known for. Currently, the series is made up of three models the -24, -32, and the -40 mono channels.
Though the mono channels are the only ones that differ among the line-up, all consoles still have the Yamaha quality all the same.
With measurements at 570 x 80 x 290, the IM8-32 is 9 inches longer than its -24 sibling. Together with the large familiar layout, this makes for an easy to use console for audio experts out there.
More on this unit's numbers, the console also includes the IM8 standard eight groups, four stereo channels, eight auxiliary buses, the four-strip matrix, and mono out buses -- all those topped by the 32 mono channels. The famous single-knob compressor found only in the Yamaha is also present for an easy dialing-in on the amount of compression needed without the hustle of maintaining multiple controls.
The built-in microphone preamps who had the genes coming from other Yamaha models are also in the IM8. An equalizer that responds to even just a bit of adjustment is sure to make everyone happy and eager to do work.
The master section contains 100mm long travel faders and metering on all ins and outs. On the other hand, LED meters are readily at hand to make it a simple job of monitoring on stereo output levels, the AFL, and the PFL points. Most of all, the IM8 also offers USB connectivity that can be used both for recording and playback.
The IM8 series is just one of the best Yamaha products created for smaller venues and applications. If the mixer shall be used mainly for handling choirs and small productions but the user thinks that the -24 is too limited, then the -32 is the safest way to go.
Upgrading to the -32 means operators can also leave some channels in its current setting for future use, thus, saving up on precious time, instead of always adjusting and setting that you have to do with other consoles.
Though the mono channels are the only ones that differ among the line-up, all consoles still have the Yamaha quality all the same.
With measurements at 570 x 80 x 290, the IM8-32 is 9 inches longer than its -24 sibling. Together with the large familiar layout, this makes for an easy to use console for audio experts out there.
More on this unit's numbers, the console also includes the IM8 standard eight groups, four stereo channels, eight auxiliary buses, the four-strip matrix, and mono out buses -- all those topped by the 32 mono channels. The famous single-knob compressor found only in the Yamaha is also present for an easy dialing-in on the amount of compression needed without the hustle of maintaining multiple controls.
The built-in microphone preamps who had the genes coming from other Yamaha models are also in the IM8. An equalizer that responds to even just a bit of adjustment is sure to make everyone happy and eager to do work.
The master section contains 100mm long travel faders and metering on all ins and outs. On the other hand, LED meters are readily at hand to make it a simple job of monitoring on stereo output levels, the AFL, and the PFL points. Most of all, the IM8 also offers USB connectivity that can be used both for recording and playback.
The IM8 series is just one of the best Yamaha products created for smaller venues and applications. If the mixer shall be used mainly for handling choirs and small productions but the user thinks that the -24 is too limited, then the -32 is the safest way to go.
Upgrading to the -32 means operators can also leave some channels in its current setting for future use, thus, saving up on precious time, instead of always adjusting and setting that you have to do with other consoles.
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