Art is indeed a universal means of expression. Whatever culture or provenance, the denizens therein have accordingly developed some form of presentment of their artistry or craftsmanship. Collectors and enthusiasts prize some themes and compositions over other, which is why it is not out of the way for them to look for native american Indian paintings NM.
The tag on this kind of painting is pretty much a broad umbrella term. For instance, it cannot be really deduced whether it pertains to a certain kind of painting with the trappings of the theme and essence of pre and post Columbian America. It can also pertain to an artwork done by a Native American, even when the subject and theme of the painting is not related to the particular culture per se.
There are many other some such delineations. For example, it may be debated whether or not Indian America has its distinct kind of style. Is there a particular technique used, or is there a comprehensive characteristic identifiable by looking at the lines, colors, and forms.
When talking about Native American art, different stereotypes come to mind. The people themselves were children of Nature, and they could have been portrayed in peaceful pre Columbian days, with depictions of unsullied environments, animal hunts, ritualistic traditions, and some such. It could even be about the other side of the picture, reminiscences of days of yore, their noble and bygone chieftains, about colonial expeditions, and about warfare.
On the other hand, you have the paintings that are tagged as such even though the painter comes from other background and ethnicity. They are moved or inspired by Native American history, which is why they choose to paint scenes and themes corresponding thereto. That is why their paintings are still dubbed as NA, even though they are not ethnically or historically related in any way. That serves to illustrate the definitional gray areas of this enterprise.
Certain Stipulations and Acts have even been passed in order to regulate and put defining features on what constitutes Indian Arts and Crafts. One, which was passed in 1990, defines NA art as something that has been done by a certified member of a federally recognized tribe. One may be able to glean from this definition that it does not include painting with Native American themes and scenes, if they have been done by a non Native.
Therefore, galleries, museums, and even private collectors have come to prize and collect these national treasures. Some are greatly specialized in sourcing mementos from the American West, and other arts from different time periods. Collecting these handiworks, therefore, is at the same time, also an attempt to collate and preserve history.
The role of the American Indian is basically selfsame with all artists. They mean to arouse some sort of emotional response from the artworks observers. Of course, this can be pretty subjective. After all, the effectiveness of this response will still rest on the force of recognition of cultures and tradition. However, it is also possible to create an artwork without all the trappings of culture and tradition, and by the by, it will still be considered as an NA artwork.
An artist can go on to create art for arts sake. Or else he or she may do so through the force of cultural sentiments or religious conviction. Or it may simply be all about using the canvas to paint ones feelings. Whatever it is, the importance is on relaying the meanings to a thinking and feeling audience.
The tag on this kind of painting is pretty much a broad umbrella term. For instance, it cannot be really deduced whether it pertains to a certain kind of painting with the trappings of the theme and essence of pre and post Columbian America. It can also pertain to an artwork done by a Native American, even when the subject and theme of the painting is not related to the particular culture per se.
There are many other some such delineations. For example, it may be debated whether or not Indian America has its distinct kind of style. Is there a particular technique used, or is there a comprehensive characteristic identifiable by looking at the lines, colors, and forms.
When talking about Native American art, different stereotypes come to mind. The people themselves were children of Nature, and they could have been portrayed in peaceful pre Columbian days, with depictions of unsullied environments, animal hunts, ritualistic traditions, and some such. It could even be about the other side of the picture, reminiscences of days of yore, their noble and bygone chieftains, about colonial expeditions, and about warfare.
On the other hand, you have the paintings that are tagged as such even though the painter comes from other background and ethnicity. They are moved or inspired by Native American history, which is why they choose to paint scenes and themes corresponding thereto. That is why their paintings are still dubbed as NA, even though they are not ethnically or historically related in any way. That serves to illustrate the definitional gray areas of this enterprise.
Certain Stipulations and Acts have even been passed in order to regulate and put defining features on what constitutes Indian Arts and Crafts. One, which was passed in 1990, defines NA art as something that has been done by a certified member of a federally recognized tribe. One may be able to glean from this definition that it does not include painting with Native American themes and scenes, if they have been done by a non Native.
Therefore, galleries, museums, and even private collectors have come to prize and collect these national treasures. Some are greatly specialized in sourcing mementos from the American West, and other arts from different time periods. Collecting these handiworks, therefore, is at the same time, also an attempt to collate and preserve history.
The role of the American Indian is basically selfsame with all artists. They mean to arouse some sort of emotional response from the artworks observers. Of course, this can be pretty subjective. After all, the effectiveness of this response will still rest on the force of recognition of cultures and tradition. However, it is also possible to create an artwork without all the trappings of culture and tradition, and by the by, it will still be considered as an NA artwork.
An artist can go on to create art for arts sake. Or else he or she may do so through the force of cultural sentiments or religious conviction. Or it may simply be all about using the canvas to paint ones feelings. Whatever it is, the importance is on relaying the meanings to a thinking and feeling audience.
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