A term that can literally be translated from the French as sewing or dressmaking has come to mean so much more. When the French word haute is placed in front of it, it refers to an excellence in the making of garments. Couture fashion is often made largely by hand and great attention is paid to every detail. Exclusive clients expect a perfect fit for the prices they are prepared to pay.
There is a long history in France of such excellence in making garments. High-class Parisians wanted to wear dresses that no-one else was wearing so they could stand out from the competition. The label retains this aura of exclusivity and opulence today. It can only be used by select designers who adhere to certain conditions.
They are required to fulfill certain conditions such as belonging to a particular syndicate in Paris and having 15 or more employees. Day and evening wear collections of 35 outfits or more have to be presented twice every year. Some of the top designers who belong to the syndicate are Christian Dior, Chanel, Elie Saab, Jean-Paul Gautier and Pierre Cardin.
The garments made by top designers are created for specific clients or made to be worn as part of a collection for a show. Many superb fabrics like silks, fine wools, leather and cashmere are used. One piece may take more than 700 hours to create, with a minimum of twenty people working on it at a time.
Extremely high prices are charged for these garments and they are only affordable to a small clientele. For this reason, fashion houses would be unable remain in business if this was their only source of income. Their income has to come from other sources. This is why many of them produce ranges of ready-to-wear garments. The publicity generated by their fashionable, high profile clients and their shows, helps to promote their other ranges.
Most of these giant brands have ready-to-wear collections. These are still quality garments and capture the signature style of the brand without the hefty price tag. Most houses also have ranges of accessories like bags and scarves as well as perfumes. It is these items that are often purchased in large quantities, enabling the brands to continue making exclusive garments that do not make them money.
It is the top designers who create new fashions and styles. They introduce the looks that filter down through the rest of the market. The fashion weeks held in Paris, New York, London and Milan are showcases for their designs and one of the main ways of advertising for a brand.
One has to wonder why the system keeps going as it has little financial benefit. The answer lies in the longer term benefits. Such garments raise the brand image and help to promote interest in their ready-to-wear collections. Those who can afford the garments consider them worth the price for the exclusivity they offer and the privacy afforded to them by the system. Others happily purchase ready-to-wear garments and accessories that still offer good quality and a particular look but without the hefty price tag.
There is a long history in France of such excellence in making garments. High-class Parisians wanted to wear dresses that no-one else was wearing so they could stand out from the competition. The label retains this aura of exclusivity and opulence today. It can only be used by select designers who adhere to certain conditions.
They are required to fulfill certain conditions such as belonging to a particular syndicate in Paris and having 15 or more employees. Day and evening wear collections of 35 outfits or more have to be presented twice every year. Some of the top designers who belong to the syndicate are Christian Dior, Chanel, Elie Saab, Jean-Paul Gautier and Pierre Cardin.
The garments made by top designers are created for specific clients or made to be worn as part of a collection for a show. Many superb fabrics like silks, fine wools, leather and cashmere are used. One piece may take more than 700 hours to create, with a minimum of twenty people working on it at a time.
Extremely high prices are charged for these garments and they are only affordable to a small clientele. For this reason, fashion houses would be unable remain in business if this was their only source of income. Their income has to come from other sources. This is why many of them produce ranges of ready-to-wear garments. The publicity generated by their fashionable, high profile clients and their shows, helps to promote their other ranges.
Most of these giant brands have ready-to-wear collections. These are still quality garments and capture the signature style of the brand without the hefty price tag. Most houses also have ranges of accessories like bags and scarves as well as perfumes. It is these items that are often purchased in large quantities, enabling the brands to continue making exclusive garments that do not make them money.
It is the top designers who create new fashions and styles. They introduce the looks that filter down through the rest of the market. The fashion weeks held in Paris, New York, London and Milan are showcases for their designs and one of the main ways of advertising for a brand.
One has to wonder why the system keeps going as it has little financial benefit. The answer lies in the longer term benefits. Such garments raise the brand image and help to promote interest in their ready-to-wear collections. Those who can afford the garments consider them worth the price for the exclusivity they offer and the privacy afforded to them by the system. Others happily purchase ready-to-wear garments and accessories that still offer good quality and a particular look but without the hefty price tag.
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