The sculptures is one of fine arts. Unlike paint, which creates a plan -a fictional space of two dimensions-, sculptures does a flat or three-dimensional relief exempt, using real space. The sculptor acts on different materials transformed by carving and modeling processes, which are traditional methods (aluminum wall sculpture).
Using different combinations of materials and media has created a new artistic repertoire includes processes such as assembly and constructivism. In a generic sense, the term plastic sculptures artwork made by sculptor. Since ancient times, man has had the need to carve. At first he did with the simplest materials and had to hand: the stone, clay and wood; then use iron, bronze, lead, wax, plaster, clay, polyester resin and plastics reinforced fiberglass, concrete, kinetic and light reflection, among other.
With regard toKingdom of Aragon, Aloi of Montbrai realized Tailors Altar of Cathedral of Tarragona and Pere Moragues carved tomb Fernandez de Luna, the piece is la Seo Cathedral. Also noteworthy is the relief of St. George Palace of Generalitat of Catalonia executed by Peter John. Claus Sluter, Flemish artist, made the doorway of Champmol (Dijon) and a pedestal shaft known as the Cloister the Well of Moses. In Italy, Siena and Pisa sculptors Nicola Pisano and his son Giovanni Pisano left works of great quality in which it announced the transition to a new type of sculptures.
Etruscan sculptures (BC-IX century BC) derived from Greek art, but also works were realized with characteristics. The status linked to funeral contexts is far more Etruscan production abundant; the material of choice, as a rule, was the terracotta, as infamous Sarcophagus ofSpouses. Later, Roman sculptures was influenced by the Etruscan and Greek and Roman artists reached make numerous copies of Greek works.
Mathematics became his main aid, applying to all arts certain principles and laws, such as the prospect. Great patron emerged as the Medici popes of Rome and Florence, plus cardinals, princes and unions. At this time the sculptures remained virtually unconnected architecture and showed expressions full of characters drama; This is seen in sculptures of Michelangelo, for example, David. Many of them travel to other countries.
The process of making the work first in clay and then emptied the bronze was known to ancient Greek and Roman civilizations, and a system that is currently in XXI century, is still used. From century BC, in last period of iron Age Celts developed the La Tene culture, spreading it throughout Europe; represented an evolution of art of Hallstatt culture.
The decoration of all their belongings, swords, shields, tiaras and brooches you can understand the reasons for animals, plants and human figures. From the first century BC minted coins following the Hellenic models, as well as figurative works Bouray of God, made in embossed copper plate. In Mesopotamia, due to scarcity of stone, the sculptures was made primarily with clay; excavations at Ur (4000 BC) have been numerous small statues of this material. The Sumerians developed and spread to other civilizations use of brick, which then sculpted and enameled relief. Some good examples are representative that adorn palaces and burial surfaces Persian palace of Persepolis and the Frieze of Archers, glazed brick work that is in Royal Palace of Susa (404-359 BC).
In ancient Egypt used more durable materials, such as stone. The Egyptians came to realize highly sophisticated sculptures that remained unchanged for many centuries. It represented gods, pharaohs and other important characters; also performed, but small pieces of figures which were reflected in domestic work. Many of these works have been found in burial chambers.
Using different combinations of materials and media has created a new artistic repertoire includes processes such as assembly and constructivism. In a generic sense, the term plastic sculptures artwork made by sculptor. Since ancient times, man has had the need to carve. At first he did with the simplest materials and had to hand: the stone, clay and wood; then use iron, bronze, lead, wax, plaster, clay, polyester resin and plastics reinforced fiberglass, concrete, kinetic and light reflection, among other.
With regard toKingdom of Aragon, Aloi of Montbrai realized Tailors Altar of Cathedral of Tarragona and Pere Moragues carved tomb Fernandez de Luna, the piece is la Seo Cathedral. Also noteworthy is the relief of St. George Palace of Generalitat of Catalonia executed by Peter John. Claus Sluter, Flemish artist, made the doorway of Champmol (Dijon) and a pedestal shaft known as the Cloister the Well of Moses. In Italy, Siena and Pisa sculptors Nicola Pisano and his son Giovanni Pisano left works of great quality in which it announced the transition to a new type of sculptures.
Etruscan sculptures (BC-IX century BC) derived from Greek art, but also works were realized with characteristics. The status linked to funeral contexts is far more Etruscan production abundant; the material of choice, as a rule, was the terracotta, as infamous Sarcophagus ofSpouses. Later, Roman sculptures was influenced by the Etruscan and Greek and Roman artists reached make numerous copies of Greek works.
Mathematics became his main aid, applying to all arts certain principles and laws, such as the prospect. Great patron emerged as the Medici popes of Rome and Florence, plus cardinals, princes and unions. At this time the sculptures remained virtually unconnected architecture and showed expressions full of characters drama; This is seen in sculptures of Michelangelo, for example, David. Many of them travel to other countries.
The process of making the work first in clay and then emptied the bronze was known to ancient Greek and Roman civilizations, and a system that is currently in XXI century, is still used. From century BC, in last period of iron Age Celts developed the La Tene culture, spreading it throughout Europe; represented an evolution of art of Hallstatt culture.
The decoration of all their belongings, swords, shields, tiaras and brooches you can understand the reasons for animals, plants and human figures. From the first century BC minted coins following the Hellenic models, as well as figurative works Bouray of God, made in embossed copper plate. In Mesopotamia, due to scarcity of stone, the sculptures was made primarily with clay; excavations at Ur (4000 BC) have been numerous small statues of this material. The Sumerians developed and spread to other civilizations use of brick, which then sculpted and enameled relief. Some good examples are representative that adorn palaces and burial surfaces Persian palace of Persepolis and the Frieze of Archers, glazed brick work that is in Royal Palace of Susa (404-359 BC).
In ancient Egypt used more durable materials, such as stone. The Egyptians came to realize highly sophisticated sculptures that remained unchanged for many centuries. It represented gods, pharaohs and other important characters; also performed, but small pieces of figures which were reflected in domestic work. Many of these works have been found in burial chambers.
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