Ghanian music comes from the North, South, East and West. The most popular of which generally comes from the Northern or Southern areas. Ghana music is very different in style based on on which area the music is born. Drummers and dancers often improvise at regular meetings and special events. So, while there may be sheet music for some material, other material is not created except for in the improvisations and paradigms which are part of the show.
Musical taste vary among the people of the country. It is for this reason that all genres of music are generally available for purchase at stores or through a website. Sahelian features a combination of string instruments and melodies and is popular in all areas. Whether it is the kologo lute, gongey fiddle, the many wind instruments or the vocals accompanying same, it is a style that is as appropriate for dance as meditation.
Notes flow almost effortlessly thanks to the chromatic and pentatonic scales used in Northern and Southern Ghana. Chanting, praise-singing and story telling are all essential to the people and identity of these areas. Whereas, other areas are more prone to rhythmic beats surrounding by the softness of strings and at times, voice.
Melody is an essential and important aspect to song in Northern and Southern parts of the country. Praise-singing traditions and storytelling while more popular in the North also exist in all areas. Still, there is a distinct differences between the drums as a focus in one area and strings in the other.
Social functions are often accompanied by music from the coast regions of Africa. Different styles rhythms fold into complex patterns on drums and bells. Many of these rhythms are found at the various drum and dance events around the world.
Religion in the area is also associated with coastal tunes. With one exception, the music is of a chanting, storytelling or vocal accompanied by harp-lute which is a derivative of the stringed harp. The most well known drums in the region are of that of the adowa and kete with bells. While this music may be associated with different religions, it should be noted it is the religion that sought out the religion and not vice versa.
In 1957, Ghana won her independence. Since that time, it has developed quite a musical identity. For example, the 20th century saw the onset of pop and dance pop. Pop-dance has continued in popularity over the years even with the introduction of Highlife and Hiplife.
Highlife, or High-life is a combination of soukous, jazz, rock, ska and swing. Both of which are more dance focused than styles which were popular in the earlier days of the country. Hip-Life and Highlife can be thought of as similar to the dance, rock and jazz genres alive and well in other parts of the world.
During the depression and years following, the clubs stayed fairly active and hopping. The popular years for electric guitar and dance-pop were mostly in the 70s. At least that is the case until German-Highlife took over with Burger-Highlife and other forms which are still popular. The Burger-Highlife, Dance Pop and German-Highlife are often some of the most influential and listened to music in and outside Ghana.
Musical taste vary among the people of the country. It is for this reason that all genres of music are generally available for purchase at stores or through a website. Sahelian features a combination of string instruments and melodies and is popular in all areas. Whether it is the kologo lute, gongey fiddle, the many wind instruments or the vocals accompanying same, it is a style that is as appropriate for dance as meditation.
Notes flow almost effortlessly thanks to the chromatic and pentatonic scales used in Northern and Southern Ghana. Chanting, praise-singing and story telling are all essential to the people and identity of these areas. Whereas, other areas are more prone to rhythmic beats surrounding by the softness of strings and at times, voice.
Melody is an essential and important aspect to song in Northern and Southern parts of the country. Praise-singing traditions and storytelling while more popular in the North also exist in all areas. Still, there is a distinct differences between the drums as a focus in one area and strings in the other.
Social functions are often accompanied by music from the coast regions of Africa. Different styles rhythms fold into complex patterns on drums and bells. Many of these rhythms are found at the various drum and dance events around the world.
Religion in the area is also associated with coastal tunes. With one exception, the music is of a chanting, storytelling or vocal accompanied by harp-lute which is a derivative of the stringed harp. The most well known drums in the region are of that of the adowa and kete with bells. While this music may be associated with different religions, it should be noted it is the religion that sought out the religion and not vice versa.
In 1957, Ghana won her independence. Since that time, it has developed quite a musical identity. For example, the 20th century saw the onset of pop and dance pop. Pop-dance has continued in popularity over the years even with the introduction of Highlife and Hiplife.
Highlife, or High-life is a combination of soukous, jazz, rock, ska and swing. Both of which are more dance focused than styles which were popular in the earlier days of the country. Hip-Life and Highlife can be thought of as similar to the dance, rock and jazz genres alive and well in other parts of the world.
During the depression and years following, the clubs stayed fairly active and hopping. The popular years for electric guitar and dance-pop were mostly in the 70s. At least that is the case until German-Highlife took over with Burger-Highlife and other forms which are still popular. The Burger-Highlife, Dance Pop and German-Highlife are often some of the most influential and listened to music in and outside Ghana.
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