The psaltery has its origin in ancient Greece as a sharp-like instrument. It was originally played using fingers instead of plucking with plectrums. Psalteries vary slightly from one place of origin to the other. Some can be traced back to Europe while others were used in the medieval age. In these regions, there are slight variations in design and name.
Religious scriptures record instances where this instrument was used in translating foreign words whose meaning was unknown. This information is recorded in the books of Psalms, Samuel, Kings, Chronicles and Daniel. The idea is to offer the pitch during pronunciation so that the kings or orators get the words right.
The general design for a psaltery consists of a sound board with a number of strings attached at an angle. The sound produced depends on the tuning. It comes in a small portable size which allows it to be used in many locations. The community of origin determines how and when it is used. The pitch of sound produced varies from one instrument to the other especially depending on size.
The medieval society had a central place for the psaltery. This was evident in their paintings and sculpture. They also were a common part of theatrical performances and manuscripts written in this era. They would be found in palaces and formed an integral part of entertainment for the king.
The 19th and 20th centuries have witnessed the birth of new design variations. The most common is the triangular shaped with a bow end where strings are attached. This has been popularized by commercialization but is yet to overshadow traditional instruments in different communities. This explains the existing variations in different regions.
The bowed psaltery is also referred to as the zither. It requires a bow to play and is a slight modification of original design. The strings are arranged in chords to allow a player to actualize any melody. The other hand strums the strings in order to accompany the bowing effect.
The triangular effect allows each set of strings to extend further than the previous. This is for the chromatic effect which has been enhanced to factor sharps and flats in music. The design of the bow varies depending on its origin. The violin bow is more popular.
Individual players adopt unique playing styles depending on the music of specialization. This has seen differences in sounds across performances. The small size allows it to be held on one hand as the player bows with the other. Additional tone comes from finger strumming.
The closeness of strings is a hindrance when strumming. The strings are arranged too close together. The other option in this case is plucking at the ends. A soundbox amplifies the sound aided by strategically perforated holes.
The psaltery may be customized with different colors provided the quality of sound is maintained. Professionals play with two bows so that they can achieve double stopping. The tightness of the bow is likely to affect the pitch and quality of sound produced. This is an incredible acoustic addition to any music.
Religious scriptures record instances where this instrument was used in translating foreign words whose meaning was unknown. This information is recorded in the books of Psalms, Samuel, Kings, Chronicles and Daniel. The idea is to offer the pitch during pronunciation so that the kings or orators get the words right.
The general design for a psaltery consists of a sound board with a number of strings attached at an angle. The sound produced depends on the tuning. It comes in a small portable size which allows it to be used in many locations. The community of origin determines how and when it is used. The pitch of sound produced varies from one instrument to the other especially depending on size.
The medieval society had a central place for the psaltery. This was evident in their paintings and sculpture. They also were a common part of theatrical performances and manuscripts written in this era. They would be found in palaces and formed an integral part of entertainment for the king.
The 19th and 20th centuries have witnessed the birth of new design variations. The most common is the triangular shaped with a bow end where strings are attached. This has been popularized by commercialization but is yet to overshadow traditional instruments in different communities. This explains the existing variations in different regions.
The bowed psaltery is also referred to as the zither. It requires a bow to play and is a slight modification of original design. The strings are arranged in chords to allow a player to actualize any melody. The other hand strums the strings in order to accompany the bowing effect.
The triangular effect allows each set of strings to extend further than the previous. This is for the chromatic effect which has been enhanced to factor sharps and flats in music. The design of the bow varies depending on its origin. The violin bow is more popular.
Individual players adopt unique playing styles depending on the music of specialization. This has seen differences in sounds across performances. The small size allows it to be held on one hand as the player bows with the other. Additional tone comes from finger strumming.
The closeness of strings is a hindrance when strumming. The strings are arranged too close together. The other option in this case is plucking at the ends. A soundbox amplifies the sound aided by strategically perforated holes.
The psaltery may be customized with different colors provided the quality of sound is maintained. Professionals play with two bows so that they can achieve double stopping. The tightness of the bow is likely to affect the pitch and quality of sound produced. This is an incredible acoustic addition to any music.
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