In this 2-part article, I'm going to offer some general guidelines to help you select the right drumheads that will match your particular needs.
Drumheads are one of the most key elements of your drum. The type of drumhead that you select will determine the overall sound that your drum will produce. By installing a new drumhead, you can bring a drum "back to life" by adding tone and projection that were lost by using a worn, old head. You can also energize the sound of a less expensive drum by replacing its stock head with a new, professional-quality one.
Prior to the mid 1950s, drumheads were made of animal hides, like calfskin. This completely changed when the DuPont Company created a polyester film they called Mylar. By employing this plastic film instead of an animal skin, drumhead manufacturers such as Remo and Evans made superb sonic options possible for drummers while adding consistency in quality and tone that wasn't previously attainable. With calfskin heads, drummers had to deal with the frequent need to re-tune their drums due to weather and temperature fluctuations. Plastic drumheads virtually eliminated this hassle.
Today, plastic drumheads are utilized not just on drum sets but also on timpani, marching drums, and timbales, as well as hand drums like congas, bongos, djembes, darbukas, frame drums, surdos, pandeiros, doumbeks, tambourines, and caixas.
Number of Plies
The first thing to think about when selecting drumheads for your drum set is head weight. Single-ply heads offer a bright sound with longer resonance and sustain, while two-ply drumheads yield a darker, thicker sound with better durability. If you're a heavy hitter and want a lower, more controlled tone out of your drum, you may want to go with a 2-ply head. If you're a finessed player and want to hear more overtones, you might use a single-ply drumhead.
(NOTE: There are variations to this approach. For instance, you might play heavy rock but prefer the sound that a single-ply drumhead produces. I personally use single-ply heads and hit pretty hard - which means that I need to switch my heads more frequently than if I was using 2-ply drumheads.)
Other types of drumheads include:
Dot - This drumhead features an additional dot-shaped ply (approx. diameter five inches) in the center. The dot can give you the durability of a two-ply head, but with a sound more like that of a single-ply head because only one layer of plastic sits on the drum's bearing edge. Drumhead manufacturers like Remo, Evans, Aquarian, Ludwig, and Attack all produce their own versions of a head with a reinforcement dot.
Three-ply - Aquarian recently introduced a three-ply head for players who require the ultimate in durability. Obviously, this head produces an extremely dark and lower fundamental pitch.
Next week in Part 2, I'll go over drumhead muffling, coating, and bottom drumheads. In the meantime, if you have any questions or require specific advice regarding your drumhead decisions or dilemmas, feel free to reach out. I'm always here to help!
Drumheads are one of the most key elements of your drum. The type of drumhead that you select will determine the overall sound that your drum will produce. By installing a new drumhead, you can bring a drum "back to life" by adding tone and projection that were lost by using a worn, old head. You can also energize the sound of a less expensive drum by replacing its stock head with a new, professional-quality one.
Prior to the mid 1950s, drumheads were made of animal hides, like calfskin. This completely changed when the DuPont Company created a polyester film they called Mylar. By employing this plastic film instead of an animal skin, drumhead manufacturers such as Remo and Evans made superb sonic options possible for drummers while adding consistency in quality and tone that wasn't previously attainable. With calfskin heads, drummers had to deal with the frequent need to re-tune their drums due to weather and temperature fluctuations. Plastic drumheads virtually eliminated this hassle.
Today, plastic drumheads are utilized not just on drum sets but also on timpani, marching drums, and timbales, as well as hand drums like congas, bongos, djembes, darbukas, frame drums, surdos, pandeiros, doumbeks, tambourines, and caixas.
Number of Plies
The first thing to think about when selecting drumheads for your drum set is head weight. Single-ply heads offer a bright sound with longer resonance and sustain, while two-ply drumheads yield a darker, thicker sound with better durability. If you're a heavy hitter and want a lower, more controlled tone out of your drum, you may want to go with a 2-ply head. If you're a finessed player and want to hear more overtones, you might use a single-ply drumhead.
(NOTE: There are variations to this approach. For instance, you might play heavy rock but prefer the sound that a single-ply drumhead produces. I personally use single-ply heads and hit pretty hard - which means that I need to switch my heads more frequently than if I was using 2-ply drumheads.)
Other types of drumheads include:
Dot - This drumhead features an additional dot-shaped ply (approx. diameter five inches) in the center. The dot can give you the durability of a two-ply head, but with a sound more like that of a single-ply head because only one layer of plastic sits on the drum's bearing edge. Drumhead manufacturers like Remo, Evans, Aquarian, Ludwig, and Attack all produce their own versions of a head with a reinforcement dot.
Three-ply - Aquarian recently introduced a three-ply head for players who require the ultimate in durability. Obviously, this head produces an extremely dark and lower fundamental pitch.
Next week in Part 2, I'll go over drumhead muffling, coating, and bottom drumheads. In the meantime, if you have any questions or require specific advice regarding your drumhead decisions or dilemmas, feel free to reach out. I'm always here to help!
About the Author:
Vic Salazar is the proprietor of Vic's Drum Shop, an internationally famous drum and percussion store in Chicago, Illinois. The vast knowledge of drum gear that he's accumulated over his forty year career has made Vic a valuable resource for beginning drummers, drumming hobbyists, professional drummers, and many of the world's top drum superstars.
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