In California, we have Hollywood, in India, Bollywood. In Nigeria, the heart of African comedy movies is called Nollywood. In terms of the numbers of films produced, Nollywood is one of the largest film industries in the world. South Africa and Yoruba (West African tribe) also have bustling cinema industries. For the cinema buff who wants a peek at how the rest of the world lives, African film comedies is a great place to start.
"Four Forty, Part I" (Nigeria, 2012) is something of a conundrum. Set in a dusty village in Nigeria, where most of the action takes place on wooden benches and tables outdoors, it is hard to see where the funny is. The story is based upon a bored, middle aged man who takes advantage of a wheelchair-bound teenage girl. Two months later, we see her following him around, weeping copiously. Her parents dump her on him unceremoniously. Maybe the punch line will be revealed in Part II.
One of South Africa's overwhelmingly popular contributions to the genre is "The Gods Must Be Crazy" (1980). Here, we discover the story of Xi, whose tribe is isolated its members are blissfully unaware of the existence of the world beyond its borders. The leading role of Xi is played by a man who became Namimibia's most famous actor, N!xau, whose previous career was as a bushfarmer in Namibia, died in 2003 from an illness acquired while hunting for guinea fowl.
Among other things, "The Mangler" (1995) serves to illustrate the broad spectrum and richness of the genre. Here, a folding machine based in a laundry turns out to be possessed by the devil. Directed by Tobe Hooper and based on a short story by Stephen King called "The Night Shift, " which was published in a Stephen King anthology. The critics weren't impressed but with that pedigree and story line, it's a hard one to pass up.
The Yoruba tribe is an ethnic group of people from southwestern Nigeria and Benin in West Africa. They have evolved their own genre in African cinema. In "EKO ONIBAJE" (2014), featuring Mistura Asunmo and Bolaji Amusan, a man seeking greener pastures joins a group of entrepreneurs whose "business" is defrauding people by pretending to be disabled.
One of the most important African movies ever made is not a comedy. This is "Yaabo" (1989, Burkina Faso), showing one of the most persistent dilemmas of modern African life. This is the battle between maintaining a cultural identity of its own versus allowing itself to become westernized in the name of modernization.
The Nightingale's Prayer (Egypt, 1959) a damning analysis of gender inequality in Arabic society, was one of the most salient films to come out of Egypt. The film was directed by Henry Bakarat and based on the novel by Taha Hussein.
One particularly awesome facet of African comedy movies is you don't have to book a ticket to Mombassa to see them. Many films are easy to find online for direct streaming. Who knows? Maybe someday, someone find the funny in Four Forty.
"Four Forty, Part I" (Nigeria, 2012) is something of a conundrum. Set in a dusty village in Nigeria, where most of the action takes place on wooden benches and tables outdoors, it is hard to see where the funny is. The story is based upon a bored, middle aged man who takes advantage of a wheelchair-bound teenage girl. Two months later, we see her following him around, weeping copiously. Her parents dump her on him unceremoniously. Maybe the punch line will be revealed in Part II.
One of South Africa's overwhelmingly popular contributions to the genre is "The Gods Must Be Crazy" (1980). Here, we discover the story of Xi, whose tribe is isolated its members are blissfully unaware of the existence of the world beyond its borders. The leading role of Xi is played by a man who became Namimibia's most famous actor, N!xau, whose previous career was as a bushfarmer in Namibia, died in 2003 from an illness acquired while hunting for guinea fowl.
Among other things, "The Mangler" (1995) serves to illustrate the broad spectrum and richness of the genre. Here, a folding machine based in a laundry turns out to be possessed by the devil. Directed by Tobe Hooper and based on a short story by Stephen King called "The Night Shift, " which was published in a Stephen King anthology. The critics weren't impressed but with that pedigree and story line, it's a hard one to pass up.
The Yoruba tribe is an ethnic group of people from southwestern Nigeria and Benin in West Africa. They have evolved their own genre in African cinema. In "EKO ONIBAJE" (2014), featuring Mistura Asunmo and Bolaji Amusan, a man seeking greener pastures joins a group of entrepreneurs whose "business" is defrauding people by pretending to be disabled.
One of the most important African movies ever made is not a comedy. This is "Yaabo" (1989, Burkina Faso), showing one of the most persistent dilemmas of modern African life. This is the battle between maintaining a cultural identity of its own versus allowing itself to become westernized in the name of modernization.
The Nightingale's Prayer (Egypt, 1959) a damning analysis of gender inequality in Arabic society, was one of the most salient films to come out of Egypt. The film was directed by Henry Bakarat and based on the novel by Taha Hussein.
One particularly awesome facet of African comedy movies is you don't have to book a ticket to Mombassa to see them. Many films are easy to find online for direct streaming. Who knows? Maybe someday, someone find the funny in Four Forty.
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